Sunday, April 19, 2015

Mechanization, Robotics, and Art

Gutenberg's Printing Press
The dynamic relationship between technology and art has been developing ever since technology first appeared in 1439 when Johannes Gutenberg introduced printing with movable type [3]. These two seemingly different disciplines overlap and intermingle in a complex and fascinating way. Mechanization really began to permeate Americans’ every day lives in the early 1900s with Ford’s invention of the automobile. With an assembly line factory type of production, he was able to standardize the way his cars were produced, but mechanization in the work place brought mechanization to American society as a whole. This move to factory life had adverse affects on the creativity and the individualized self [4].

A Scene Represented in Film and Painting
In his essay, Walter Benjamin comments on this new phenomenon of mass production of, not cars, but art. New technology allows art to be printed and reprinted again and again, detaching the viewer from the original image’s aura, which, Benjamin argues, shatters the tradition of originality in artwork. The relatively new medium of film, which requires a lot of technology, is undoubtedly viewed as art, but what makes a cameraman so different than a painter? Benjamin defines art as something that is both visually and emotionally stimulating, and although he recognizes that this is true of both paintings and movies, he sees the American people as passive rather than engaged observers of film [1].
In his paper, Douglas Davis recognizes the problem with a lack of distinction between an original piece of artwork and a reproduction, but he also acknowledges the great things technology has done for art and general creativity. He discusses the development of the Internet and how it has become a resource not only for intellectual pursuit but has revolutionized the resources we now have for artistic expression. He says that the internet will “empower imagination rather than reason, as new tools placed in the hands of people with open minds always have” [2].
An Artistic Representation of Robotics and their Affects on Society
The guest lecturer Machiko Kasuhara speaks about technology in our lives in the context of robots. She recognizes this advanced technology as a scientific endeavor, but does not disregard its creative and artistic applications. Designers and engineers in Japan are constantly looking for new ways to incorporate robotics into our everyday lives which should make us all ask, is there a distinct border between artist and engineer [6]? I believe that throwing all of your creative energy into something can turn it into art.


 [1] Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction." (1936): n. pag. Web. 16 Apr. 2015.
[2] Douglas Davis. Leonardo, Vol. 28, No. 5, Third Annual New York Digital Salon. (1995), pp. 381-386. <http://links.jstor.org/sici?sici=0024-094X%281995%2928%3A5%3C381%3ATWOAIT%3E2.0.CO%3B2-M>.
[3] Vesna, Victoria. "Robotics Pt1." YouTube. YouTube, 15 Apr. 2012. Web. 16 Apr. 2015. <https://www.youtube.com/watch?v=cRw9_v6w0ew>.
[4] Vesna, Victoria. "Robotics Pt2." YouTube. YouTube, 15 Apr. 2012. Web. 16 Apr. 2015. <https://www.youtube.com/watch?v=oAZ8bo9T_Pk>.
[5] Vesna, Victoria. "Robotics Pt3." YouTube. YouTube, 16 Apr. 2012. Web. 16 Apr. 2015. <https://www.youtube.com/watch?v=wkP7oSZVkbg>.

[6] Vesna, Victoria. "Robotics MachikoKusahara 1." YouTube. YouTube, 14 Apr. 2012. Web. 16 Apr. 2015. <https://www.youtube.com/watch?v=xQZ_sy-mdEU>.
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2 comments:

  1. Blair, I thought you made some valid points about this week's readings especially regarding Walter Benjamin and his view on mass production with art. I thought it was interesting how Benjamin defined art as something that is both visually and emotionally stimulating. I would have to agree with this statement, art portrays such a vast range of life that pertains to the eye and can express all kinds of emotions. Art speaks to everyone differently, it stimulates emotions that help people to explore the deeper meaning of what is actually on the surface.

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  2. As an engineer, I completely understand the dilemma you described of creating something and striking the balance between being an artist or an engineer. Numerous times, engineers prefer function over form initially. However, it must be noted that the “original works” are merely prototypes and the final manufactured product is packaged with human interaction in mind. Original prototypes cater to engineers with it’s complexity and technical design. Manufactured products are polished and packaged because they are meant to abstract the inner workings.

    I say all of this because while Walter Benjamin sees art losing it’s edge due to manufacturing, the change is not meant to take away from creativity. It’s meant to rework it and present it in a more understandable way to someone else.

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